Author: noisepuncher_caiaav

De-scrambling white noise audio, visual and sometimes the other senses.

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White Noise on Paper: Take the ride with “H.R. Giger Arh”.

Finding a cheap book of H.R. Giger’s work is near impossible, most are out of print and will clean out your wallet in no time. I mean, its easy to understand, the guy is a dark genius whose mind still inspires Hollywood to this day , he did work for various movies, chief among them, the “Alien” movies and won a Oscar for the first “Alien” movie. But this book isn’t just strictly an art book, in between the pieces of his darkly erotic art is his own story in his own words.

His art was mainly a hybrid of living things connected to machines, darkly cold and hellish. One can see the light film that lays over all his creations, like a embryonic sack, the man was a master of the air brush, later pastels, markers and ink you’ll get some stories in this book of what he was inspired by. Giger was gonna do design work for Alejandro Jodorowsky’s version of “Dune”, there is a cool documentary on that Jodorowsky “Dune” movie that never was that was going to feature Salvador Dali on a giant toilet throne, Orson Welles as the Baron flying around, and a whole planet designed by Giger with music by Pink Floyd and French progressive rock band Magma (who Giger did album art for) which didn’t pan out, Lynch ended up doing “Dune”, Giger had always wanted to work with Lynch which never happened, Giger always said that Lynch’s “Eraserhead” was closer to what a Giger film would look like than any of the movies he worked on or designed.

Timothy Leary writes the forward for the book, not only is there Giger’s art, there is pictures and news clippings throughout the book. Granted this is a book that only goes up to the man’s career, mid 1980’s, the stories start from Giger’s straitlaced childhood in Switzerland, to his turbulent teens and successful adulthood, you’ll see a somewhat normal guy whose art defies what you see on the surface. Giger is a legend, he has designed some kick ass album work for Celtic Frost, Emerson, Lake and Palmer, and the Dead Kennedys, his art got the Dead Kennedys an obscenity charge back in the day. This book is relatively cheap compared to a lot of the other Giger books out there. To dive into the dark world that is Giger go here: https://www.amazon.com/HR-GIGER-ARh-H-Giger/dp/382289642X

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Visual White Noise Theater: “Highway to Hell” (1991) isn’t just the title of an AC/DC song.

Its a movie and a kick ass one at that I finally got around to watching this one.

“Highway to Hell” is a movie I always used to see in video rental stores and I’d say “One of these days, I am gonna rent that, its got Kristy Swanson who is so damn hot.” Yet I never did, now that most mom and pop video stores and Blockbuster have gone kaput I went looking for this one and I am pissed at myself I didn’t watch it sooner.

 

Directed by Ate De Jong, who directed one of the craziest, bat shit episodes of the awesome show “Miami Vice” an episode that involved aliens, UFO’s, James Brown and peanut butter, the episode was widely unpopular and panned out of existence. De Jong’s weird, Danish sensibilities didn’t translate too good to the television screen and people in Hollywood were hesitant to throw money at him. Finally somebody had the good sense to throw De Jong another chance along with a script by Brian Helgeland who claimed he got the idea from being pulled over on some side stretch road outside of Las Vegas with his wife, Brian said the cop was really patronizing and walked around their car threateningly, all over Brian driving a little over the speed limit. Brian wondered “Is this the cop from hell?” And a light went off in his head.

Charlie Sykes, played by Rob’s younger brother Chad and Rachel played by Kirsty Swanson go to elope in Las Vegas. Chad is afraid that his parents and Rachel’s parents might’ve called the police to stop them from getting married and in fear he takes a side road, he comes upon a lonely gas station run by a lonely old man named Sam played by character actor who plays old coots all the time, Richard Farnsworth. He tries to tell them not to go any further past the Joshua trees and especially not go to sleep past that point because they’ll get into trouble, he advises them to get back on the main road,  in other words, Farnsworth plays the typical stock character “crazy old man” that appears in a lot of these horror movies who warns people about doing something or going somewhere and when they do what they were told not to or go where they told not to,  they get killed. Chad in fear takes the side road, falls asleep and the cop from hell shows up, busts up their car and takes Rachel.

In anger and fear Charlie goes back and grills Sam who tells him that his girlfriend got taken by the Hell Cop, the Hell Cop kidnaps virgins to take back to the Devil’s bordello and if the cop gets to Hell City then it will be too late. Sam tells Charlie to take his old Pontiac and says the Pontiac has something special in it and he gives him special ammo to take down the Hell Cop, he tells Charlie that he needs to go back to the Joshua trees, drive really fast, close his eyes and believe, then he can get into hell, when drives really fast a real cop does chase him. Charlie does this and ends up in hell which is a desert and from there I don’t want to give up much more.

This movie is satire but it will keep you on the edge of your seat, you’ll get the Stiller family, Ben (if you don’t know who Ben Stiller is I don’t know what to tell you) who plays a retarded fry cook, Jerry (Jerry Stiller played George Constanza’s dad in the best sitcom of all time “Seinfeld”) who is a corrupt cop caught in eternity in this diner from hell where you never get a coffee refill or what you ordered, Anne (Ben’s mom and Jerry’s wife, a funny comedian in her own right) who plays the waitress that bores the mummified, corrupt cops with her stories, you get Lita Ford as a hooker who traps men into getting killed by a ice cream truck serial killer who wants to scoop brains out of their heads and Gilbert Gottfried as Hitler and Patrick Bergen as Satan. There is various character actors in this movie, the monster effects are pretty awesome, especially the stop motion three headed Cerebus guard hound. Over all this is a wild ride, this is a movie where you can shut off your brain and let the movie do the driving, don’t let it crash your car though. CJ Graham under heavy make up plays the Hell Cop, CJ played the Jason incarnation in “Friday the Thirteenth 6, Jason Lives!” There is more in this movie that I don’t want to give away. This movie is almost as good as the song “Highway to Hell” by AC/DC, I was kind of hoping that it would make an appearance in the movie and it didn’t because this movie was a medium budget movie, however, you get a slower rock ballad from the aforementioned Lita Ford. This movie was made in 1989 but was shelved due to the company Hemdale going bankrupt, it didn’t see release until 1991.

So visual white noise addicts to get on the Highway all you have to do is go here: https://www.amazon.com/Highway-Hell-Chad-Lowe/dp/B081D8Z3MK

For any of you that want an actual road to ride on go to: https://www.amazon.com/Highway-Hell-Blu-ray-Patrick-Bergin/dp/B018STFHKC/ref=sr_1_5?dchild=1&keywords=Highway+to+Hell&qid=1627583632&s=movies-tv&sr=1-5

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Visual White Noise Theater: Will “Jesus Show You the Way to the Highway”(2019)?

I never thought I’d see a movie shot in Ethiopia by a Spanish director, set somewhere in mid 21st century in a virtual world, the only thing is this movie was meant to look like it was shot in the mid 1980’s and is a prediction of what 2035 is gonna look like, so there is retro virtual reality machines and goggles, dial rotary phones, 1970’s furniture etc. In a word this movie is a mind fuck, you’ll want a cigarette after you watch this movie.

Where to start with a movie this insane? Well two CIA agents DT Gagano, played by a dwarf Ethiopian actor Daniel Tadesse and Palmer Eldritch played by Spanish actor Augustin Mateo, both contrast to each other in looks and personality, they are working in “Beta Ethiopia” which is the Ethiopia of the 2030’s as imagined by a sci fi film maker in the 1980’s. The Cold War is still on and the Soviet Union is trying to put a virus in the computer system called, what else? “Soviet Russia”. In this bizarre virtual reality everything is in stop motion and everybody wears the masks of famous actors, comedians and politicians. DT’s wife is a hot BBW blonde named Malin played by Gerda-Annette Allikas and she looks forward to him retiring as a secret agent so she can open a Kick Boxing studio. Your reading this saying WTF?! I did when I start watching this.

DT wants to start a pizza restaurant by the ocean but these dreams get derailed when he gets stuck in the virtual world and he needs to find a way to get out. In this stew you get a satire of 1960’s spy movies, including the incidental music, 1970’s and 1980’s action and kung fu films and B level sci fi. This movie is like a cross between  1980’s James Bond flicks and Alejandro Jodorowsky’s art movies not to mention the audio is badly synced to the lips on purpose. Seriously, this god damn movie is so insane it can’t be classified.

“Jesus Shows You the Way to the Highway” is also philosophical, it doesn’t look like it on the surface but there is so many layers in this movie you’ll question whats reality, whats a dream, whats a fabricated reality etc. This movie is hilarious, some of the over the top absurd stuff will have you laughing until you are out of breath especially when one of the characters is watching TV and on it there is a man dressed like 1960’s Adam West Batman licking the feet of a man in a swimsuit, somebody yells at him “Stop watching that communist propaganda and get your ass over here!” Not only that, the president of Beta Ethiopia is dressed as 1960’s Batman and he wants to kick all drug dealers out of Beta Ethiopia. And believe it or not it gets crazier.

Most of the old computer technology that is seen in the movie was borrowed from the Estonian Computer Museum. “Jesus Shows You the Way to the Highway” is a movie that hit me in the sweet spot, I literally stumbled across this movie by accident while searching for the movie “Highway to Hell” which I am gonna review next, I saw the poster and it looked like a grind house movie I’d never seen, and at first seeing the date it was made I was very skeptical, I dove headfirst into this roiling and boiling sea and I got the shit thrashed out of me. This is one newer movie I will repeat view and I am sure there is stuff I missed. There is so many Easter Eggs and little tid bits, the name alone should draw you in. I am sure a lot of religious folks searching for some religious movie about Jesus were confused when they watched this movie for the first time like I was, except in a different way, they’ll wonder what a fully clothed black midget is doing in a shower with a naked, statuesque, BBW blonde goddess and what any of this has to do with Jesus. The movie was partly funded by people on Kickstarter which is cool, Llanso’s first movie was the awesome post apocalyptic film “Crumbs” also starring the diminutive Daniel Tadesse, another one I will review later and you should watch and that one was made on a show string budget in Ethiopia and its just as weird.  “Jesus Shows You the Way to the Highway” is one highway you don’t want to drive by.

To get the silver pizza pie Arrow has done a bang up job: https://arrowfilms.com/product-detail/jesus-shows-you-the-way-to-the-highway-blu-ray/FCD2009

To get on the highway digitally go here: https://www.amazon.com/Jesus-Shows-You-Way-Highway/dp/B0893NT9V9

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White Noise on Paper: “An Ode to Joy” by Frank Kozik is what you get.

In the late 1990’s I had just graduated high school and I was visiting my parents in Los Angeles, I was in a used bookstore but I forgot which one. This bookstore was a bookstore for weirdos, people like me and you. Having a little money I had to make up my mind between a bunch of cool books, underground comics, magazines and zines, I was sweating. This was before the internet was widespread and nobody had a smartphone and here I was sweating my late teen nuts off. On one hand I had a book of nudes hot chicks with piercings in different place, the title of the book escapes me now but I was old enough to buy it, then there was the current issue of “Blab”, a book on unusual fetishes that had me in stitches laughing, the first mention I’d ever seen of “Furries” and “An Ode to Joy” by Frank Kozik. After awhile I had it narrowed down to the nude pierced chicks and “An Ode to Joy”. I knew if I didn’t choose soon my mom was gonna call the police thinking I’d been murdered and dumped somewhere in the Los Angeles River and a scene would be made, I didn’t want a scene to be made. “An Ode to Joy” popped out at me, a insane, psychedelic, nightmarish cartoon brew of retro pop culture screwed, slewed, brewed and tattooed, on the other hand I had forgotten my Penthouses at my apartment in upper Northern California, and being a young guy I had blue balls and a can of Vaseline. My dick won out, soon, however that pierced chick book got lost, I’ve been through two house fires, three crazy ex girlfriends who destroyed my stuff and numerous moves, in between those incidents it was lost but all through the years, “An Ode to Joy” stuck in my head like a icky, sticky pop song, except this is one song I wanted to hear. Years ago I finally got a copy and lost that copy, then I bought another one, for pierced chicks I can just go to Pornhub now.

I lived through the brunt of the “alternative movement” of the 1990’s, the “I don’t give a fuck, everything sucks” Generation X coming of age where a lot of cool music, art and other things got spawned. Us Gen Xer’s were raised on pop culture, some of us without the aid of church and religion made cartoons, b movies, underground music, old TV shows etc. the religion and it was later satirized. I can’t think of a bigger embodiment of that than the work of Frank Kozik, who was owner of Man’s Ruin Records, Frank actually started out doing poster art and other work as an artist in San Francisco. Man’s Ruin released mainly Alternative Stoner rock/metal and punk acts, Frank illustrated most, if not all of the covers for the bands on his label not to mention their posters. He also did posters for bands that went on to become big, Nirvana, Green Day, Soundgarden etc.

The book is hardbound and the posters are reproduced with eye piercing color on slick paper, in this book you’ll get cute animals with knives and axes through their heads, a drunk Yogi Bear, 1950’s children’s books where the kids are cannibals, the Japanese army cheering over the remains of the Statue of Liberty and other mind twisting, nut tweaking images. “Man’s Ruin” has released some of favorite bands, chief among them being “The Fuckemos”.

Frank’s got two more books I’d like to get my greasy paws on “Man’s Ruin: Posters and Art” and “Desperate Measures”. Frank’s work also appealed to me being raised on various cartoons where animorphic animals would blow the shit out of each other, except in Frank’s world you get to see the blood, there is no shaking off of the bomb going off, you see the bloody pieces in close up, ridiculous detail. Any retro pop culture aficionado will be able to pick up on different pieces he satirizes and he mixes different stuff in his art.

As I’ve mentioned before you’ll see posters for bands who are famous, yet to be famous or only bands that you and couple of friends know. Sometimes Frank will chime in with an anecdote of how he got the idea for the poster or some nonsense that isn’t even related to the piece in question. Frank keeps you on your feet, the guy has a twisted sense of humor.

So if you want a little taste of 1990’s alternative culture, visual style, this book is a good place to start, there is copies out there that are within your reach money wise but that might change so go snap them up while you can.

Get your joy here! https://www.amazon.com/Ode-Joy-Posters-1-Oct-2004-Hardcover/dp/B013J92ILM/ref=sr_1_3?dchild=1&keywords=Frank+Kozik&qid=1627410615&s=books&sr=1-3

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White Noise on Paper: Have an “Horrorgasmo” on me.

“Horrorgasmo: Psychotic Art For New Mutants” could only be vomited forth from the minds of Italians. The same nation that gave us Fulci, Bava and Argento also gave us this “art book” in limited quantities and the reason why I put quotation marks around art book is because I doubt the four people contained in this book, as well as the editor, want their names associated with the art scene of the late 1990’s to early 2000’s as full of itself as it was.

Limited to 999 copies (I have copy 944) you can tell a lot of this stuff was inspired by the great Charles Burns. Alessandro Papa had a comics shop in Italy called “Mondo Bizzarro” and he seems to be the one that put this volume together, he said in 1997 that Stefano Zattera, one of the artists in the book, came into drop off some zines he had put together, Papa said he thumbed through them and was blown away and in his words the zine was packed with “Posters of incredibly strange imaginary B movies, demented strips, “sick” and ultra extreme cartoons, all drawn with great technical ability in classic comic style. It was as if some ageing  maestro of the American pop era had sold their soul to the devil.”

Zattera’s alien cow girl rides!

In another one of the zines that Papa leafed through was the art of Dast whose work is also in the book and was very impressed and Dast ended up having Zattera design the cover of his own Healter Skelter magazine. A year later Papa met Dast and Zattera at their “Horrorgasm” exhibition consisting of the aforementioned artists, Spiderjack and the veteran Italian cartoonist Gianmaria Liani. That is when Papa decided that these artists couldn’t stay hidden from the world and that they needed their own book which is “Horrorgasmo”.

Liani takes a bite out of you!!!

All four artists come from the Veneto region which is a region that is pretty conservative and Catholic, maybe the repression created some deviant artists. Whether you buy that commonly held conception is up to you, maybe its bullshit. The first artist in this book is Stefano Zattera, he is the founder of Delirio Communications, in which he not only publishes his own work but other artist’s work.  His work has appeared in various books and mags, as of now he still does work. Today he calls his work “Apocalyptic Surrealism” in which he still lampoons 1950’s and 1960’s pop culture as well as B movies. His work is in the first part of the book and already you can see his satire of retro junk culture, his art is my favorite in the book. Mutants and aliens fucking in a alternative 1950’s universe where bondage is widely accepted.

Spiderjack attack!!!

Next up in the book is Gianmaria Liani who has done art work for various magazines as well as the American magazine “Malefact”, he has also done his own comics and produced illustrations for the book “LupinIII” and it looks like he still does work and has a few books published underneath his belt. Liani’s work is sado masochistic and involves cannibalism and like Zattera he seems to lampoon retro junk culture. There is part of a comic strip on one page and fake movie poster on another one.

Spiderjack is gonna fuck you up good with his “cute characters” getting sucked, pummeled, stabbed etc. Just like the other artists in this book he has had his stuff published in various Italian magazines and is the author of a trading card book called “Ebryotica” which is just as weird and screwed up as his section in this book.

Dast-ardly deeds down dirt cheap!!!

Last but definitely not least is Dast who is co founder of Delirio Communications along with Zattera who I’ve mentioned release fucked up zines, art and magazines. He has had his work published in various weird art magazines and other places as well as “Malefact” here in the US, and “Stripburger” in Slovakia not much more I can find on him don’t know if he does art nowadays anymore. Any search I tried came up with another Dast who is a musician. Dast’s art consists of stumpy and ugly hermaphrodites sucking, fucking and killing each other so that is that.

This book comes with Italian as well as English texts and the whole thing is in black and white which really makes the visual white noise pop aggressively. This book isn’t for the feint of heart there is debauchery, mutant and tentacle sex and violence. Some pieces lampoon religion, some try to push the boundaries of what is excepted in the art world. Over all sometimes I think this book tries too hard to shock, if this up your alley you aren’t in luck I bought my copy off of Abebooks and now doing a search it is nowhere to be found, it kind of pisses me off when books are released in limited quantities, kind of a hipster thing to do if you ask me. In closing if you wish to have this in your possession good luck finding it.

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White Noise on Paper: Become a “Brutarian” issues 7 and 8!

The heyday of the zine was the 1980’s to the 1990’s before the massive onslaught of the internet, and blogs, things we take for granted these days. The only way to find like minded individuals who were into the same weird music, movies, comics etc. that you were into was to pick up “Fact Sheet Five” a magazine cataloguing different zines, find like minded individuals through ads put in zines, and word of mouth. These zines were really personal and people put their own style and personal stamps on them. There was zines on all subjects you can think of from stuff as innocent as socks and clothing to alternative music and “snuff films”. The quality and quantity varied depending on how much money the person publishing the zine had, what access to printing equipment they had etc. Some zines were really primitive, some were hand drawn and xeroxed, then there was some that looked like they could’ve been sold in grocery and convenience stores right next to “People” magazine. Some also varied in size from A5 small digest size to giant newspaper size, then there is the magazine size and “Brutarian” was a zine that was as big as a regular sized magazine, the cover and back are slick and in color and the insides are in black and white.

Unfortunately the issue I got didn’t come with the “DeCeased/Brutarian Sampler” and the fact this zine actually had a music sampler is surprising. Most zines can’t afford one tape or CD let alone the printing costs. Right off the bat “Brutarian #7” with its cover done by underground cartoonist Doug Allen pronounces itself, the cover screams “Lo Brow! Stupid! Childish!” Open it up and you’ll soon see that while the contents are what are screamed on the cover, the articles and reviews and they way their written say different. Thumbing through this thing you see that not only are there articles, reviews and interviews, there is underground comics drawn by recognizable names if your into underground comics, Jarret Huddleson being one who did the cover art for the “Garbage” compilation, a compilation of noise, metal and punk acts mainly from Japan. In this issue he takes apart Madonna (literally in drawing of course), on the “Garbage” compilation cover he gave her black eyes.

Also interviewed are Larry Buchanan, director of Z grade fare like “Mistress of the Apes” and “Creature of Destruction” for Roger Corman’s company. You also get big titted Kitten Natividad, who bore her chest for the classic dirty old man, Russ Meyer, in his movies, in the interview you find out that she was drifting towards doing hardcore porn (yeah I know you dirty perv, your searching for her name in pornhub, great minds think alike, after your done with um, whatever, come on back and cool down).

Brian Horrorwitz, who owns the awesome “Trash Palace” web site and sells very hard to find movies and other things and is in the psychobilly band, Ubangis, interviews horror punk band, Sic Kidz. Then we’re on to “Celluloid Void” where the movies of the day are reviewed, this issue came out in 1993 and there is a review on Quentin Tarantino’s “Reservoir Dogs” and the review is actually prophetic, this was before “Pulp Fiction”, and “Brutarian” is prophetic, especially from this end line in the article: “Tarantino does get to you and he makes the whole exercise look effortless. This may not be genius but it certainly is, at the very least, prodigious talent. His pending partnership as screen writer/producer with  John Woo promises to kick ass (did they end up doing a movie that I don’t know of?). Here’s hoping Hollywood wises up and starts throwing bagfuls of money at this guy.” Wow did they and depending on what your opinion of Tarantino is, that was good or bad thing.

Also “Basic Instinct”, “Army of Darkness”, Coppola’s “Dracula”, etc. to name movies and this is around when they were in theaters. Ozzy Fide reviews videos in the “Six Pack Theatre” section, to you kids out there VHS videos are bulky, black rectangular objects that played pictures, you could throw a VHS tape at somebody’s head and knock them out. He gives movie beer cans depending on how good they are. He reviews “Universal Soldier”, “Poison Ivy”, “Buffy the Vampire Slayer” (1992) etc. He shits on a lot of movies even if he likes them and its hilarious. “Brutarian” does book reviews in the “Brutarian Library” where various books that offend the common reader are reviewed, again “Brutarian” doesn’t disappoint or bore, the people who write the reviews make something interesting something you normally wouldn’t give attention to. Then we’re on to music with “Audio Deprivation” but “Brutarian” doesn’t limit its musical reviews to 1990’s alternative college radio rock and punk bands like a lot of zines did back in the day, nope they cover it all, metal, punk, garage, rockabilly etc. which endears me to “Brutarian”. Granted there was a lot of zines tailored to different people with different tastes in music and movies. “Brutarian” will review a death metal album in one column and a 1960’s revival garage band’s album in the next column.

The various contributors to this zine are a whose who of the underground, not only do you get comics by Mike Diana, Danny Hellman, Greg Fiering among others, you get other zine and underground writers contributing like Stately Wayne Manor, Greg Goodsell, Vic Stanley etc. “Brutarian” number 7, count me in!!!

Up next, right off the bat, you get a bat girl riding a missile saying on it “Bang Me Big Boy”. Again, “Brutarian #8” assaults your fragile, weak boy sensibilities. Its sexist and stupid and “Brutarian” doesn’t give one fuck what you think of it. 

First interview up, they let “The Mentors” mentally rape you and laugh in your face. El Duce, and Sickie Wifebeater do their interviews drunk, I mean, how else would they do a interview? Incoherent offense spews on every page, sneering and disdain for every wimpy crybaby in the world reading this interview will have the Millennial and Z crowd running for their Starbucks Soy Latte Safe Spaces. “The Mentors” are a homophobic, misogynist, perverted, sadistic, masochistic, drug addicted, alcoholic sleaze metal band that will literally make you eat their shit.

 

You get comics from J. Huddleston, Greg Suss, Pat Carroll, Steve Cerio, Tom Corllette, Mike Diana and Paul Revess. The obligatory “Audio Deprivation” section that takes music to the wood shed, Deicide’s “Amon: Feasting the Beast”, The New Bomb Turk’s “Destroy-O-Boy”, Geto Boys’ “Uncut Dope”, and Jerry Lee Lewis’ “Rockin’ My Life Away” are among the discs given a spanking along with “Swingin’ Singles” a column on singles and EPs. You get an article on the insane genius Joe Meek by Steve Jefferies, Joe did the infamous 1960’s instrumental “Telstar” among other pieces of music, Joe was Schizophrenic and thought he was from a different planet, he also thought his land lady was spying on him he ended up killing her with a stolen shot gun and then himself.

“Celluloid Void” is skinnier sadly but there is an article by the editor Don Salemi on Mario Bava flicks, Ozzy Fide drinks himself silly to videos with “Six Pack Theatre”, and “Brutarian Library” pulls underground books from the feces and encrusted sewer and flings them at you, there is a section on books on the “JFK assassination conspiracy” thing.

So if you can, get a hold of any old copies of “Brutarian” their out there on ebay and there is some back issues to read for free on archive.org just by searching. I tried to find out more stuff on this zine and I thought I’d find more than I did given that a lot of the issues had semi famous underground cartoonists and writers. I was a dead wrong, there is bare bones info on this thing. Even combing the publisher notes. This zine is very professionally done, more so than a lot of the zines that came out in the 1980s and 1990’s. “Brutarian” wallows in its own, low brow, lo fi filth. Nobody could get away with half of what is in these two issues if they tried publishing these today.

From what I can tell this zine was edited and published by Don Salemi out of Arlington, Virginia, the most unlikely place I would think something like “Brutarian” would come from, but you’d be surprised how many messed up zines came out of the south and heartland of America, in fact, the most repressed places have the more messed up zines. “Brutarian” is for the culture Brute in all of us, man or woman. While it is cool that people like myself can just publish a site or blog, I miss the heyday of the zines when the only way to put out your “blog” was to draw, write, type, print and xerox copies of your very personal zine. Don’t get me wrong, there is still some people who do it old school and to them I say “I am glad your keeping the true flame alive”.

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White Noise on Paper: Get over your “Fear of Comics”.

After the underground success of “Love and Rockets” comics series came to a screeching temporary halt in 1996, one half of the duo shit his shorts, dived in and swam in the surrealistic and absurd ocean of his own comic, “New Love”. “Fear of Comics” compiles these stories as well as stories from other sources and is volume 17 in the “Love and Rockets” compilations put out by Fantagraphics. While “Love and Rockets” was about young people in lust and love going to punk rock shows, “Fear of Comics” follows the antics of giant moles fucking opera singers, tribes men eating brains, forgotten saints, alien invasion, squadrons of flying women (not in planes either) who dress like retro 1950’s cigarette sales girls fighting giant babies etc. All of the inside pages are in black and white.

On the surface this comic anthology looks like a bunch of nonsense, nonsense for nonsense sake. But noise addicts know to look past the static and drink it all in and there is a lot to drink in, it might get you drunk. While Gilbert has his own style he blends different styles into his own, the prime example being his dead on homage of the artist Herge of Belgian comic “Tin Tin” fame and too be honest, I find “Fear of Comics” more interesting then “Love and Rockets” but that is because I am weirdo. It is a lot less sexual than “Love and Rockets” and the Hernandez brother’s other projects, I mean don’t get me wrong this isn’t G Rated stuff, more like an “R”, unlike Gilbert’s other comic “Blubber” that is a straight up “XXX” and is being put out in a compilation by Fantagraphics in winter, 2021.

Sadly there is no new copies of this anthology out, like all good things Fantagraphics puts out they don’t ever seem to do reprints, no matter how much the fans and other people complain it seems to not phase them one bit. Hell, I’ve even tried to message them with complaints because some of us don’t want to pay astronomical prices for used physical items and to all you “tech cloud” fetishists out there who ejaculate at the fact that everything is digital and think I am a “boomer” for actually wanting to hold something in my hands unlike you guys who seem not to care that the only thing you hold physically in your hand is your shrunken, unused, mommy basement dweller Vienna sausages, good luck finding this anthology on archives or other digital comic sites oh and don’t come crying to me when your external hard drive croaks and all your other back up USBs are corrupted. RANT OVER.

So I bet your asking yourself where can I get “Fear of Comics”? Well stop being afraid and go over here: https://www.amazon.com/Comics-Rockets-Gilbert-Hernandez-2000-11-07/dp/B01FGKWWCW

There is a few copies that are still affordable better get em’ while their hot!

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Visual White Noise Theater: Whats “Under the Silver Lake” (2018)?

“Under the Silver Lake” is like one of those Russian nesting dolls, you pull off one shell of a doll and there is another smaller doll underneath but this movie isn’t like your typical nesting doll, you don’t come down to one small doll within larger ones, you can keep pulling shells off and seem to never come to the end. This pisses a lot of people off, it doesn’t piss me off and I love movies like this that have me thinking days after I watched it, especially if its a newer film. Directed by David Robert Mitchell, who directed the awesome, multi layered symbolic horror film “It Follows” this was Mitchell’s fray into “Neo Noir”, a genre post 1960’s that lifts the main themes of “Noir” and transplants them into the current time period. More modern examples are most of the films of David Lynch, “Drive”, “Brick”, “Big Lebowski” etc. that mix various genres in with “Noir” genres like comedy, sci fi (think “Blade Runner), the supernatural and occult etc. Mitchell takes the “Neo Noir” genre and turns it on its head snapping its neck in the process.

Put out by A24 who has actually been putting out good newer movies, “Under the Silver Lake” on the surface is your typical “noir” plot. Loser and down on his luck Sam, played by Andrew Garfield, is about to get evicted from his apartment. He seems to have no job and is a creepy voyeur type who spies on his female neighbors, one of which is an old hippie chick who feeds her numerous birds on the balcony topless, he also has sex with an older and aspiring actress who drops by his apartment once in a while, as their having sex on the news they see that Jefferson Sevence, a billionaire stunt man/mogul has disappeared without a trace. However, he falls for a girl in a bikini who was a small white dog as a pet who is his neighbor, which is funny because there is a dog killer loose in the Silver Lake area who is killing pooches. He hooks up with Sarah, played by Lisa Marie’s daughter and Elvis Presley’s grand daughter, Riley Keough. They go in her apartment to watch a Marilyn Monroe movie called “How to Catch a Millionaire” and she has three dolls on her dresser of actresses in the movie, name labels beneath the dolls and beneath the names strange code. Soon other people come into the apartment before he can get it on with her and she tells him he has to leave but he should come back the next day. He does and finds the apartment empty, he breaks in the window and hears somebody coming, a girl dressed like a prostitute comes and gets a shoe box full of Sarah’s stuff with dolls and other pictures in it. He asks his pissed off landlord where she is and the landlord brushes him and tells him he has to pay rent or he is gonna get evicted. So Sam goes to find out what happened to her and where she is at.

That is the surface story, sounds like a start to a neo noir film and I am not giving anymore away but suffice to say from there it gets more crazy and insane. Then you start to wonder whats paranoia/fantasy or reality. This movie reminds me a lot of Lynch’s “Southern California Trilogy” of movies which are “Lost Highway”, “Muholland Drive” and “Inland Empire”. Its a mix of Lynch, Hitchcock and Chandler, even the in between, incidental music is something Bernard Hermann would’ve put in one of Hitchcock’s films which was done by the ultra talented “Disasterpiece” who did a synth soundtrack for Mitchell’s first movie, “It Follows”. Sam is obsessed with retro pop culture, in his apartment he has got posters for noir and old monster movies all over his walls, a VHS tape player, a Nintendo, Nintendo Power magazines, even the magazines he beats off to are old copies of Sears Catalogs, Playboys and Hustlers. As his search for Sarah intensifies so does his paranoia that all of pop culture and what we listen to, beat off to, watch, eat etc. is orchestrated by small group of men who hide in the dark.

Some of the characters in the movie don’t even have names, which I think is done on purpose, the aspiring actress girl whom is a “friend with benefits” type is listed in the credits as “Actress” who is played by Riki Lindhome, then there is the paranoid “Comic Fan” played by character actor Patrick Fischler who has been in two David Lynch projects, the aforementioned “Muholland Drive” and “Twin Peaks the Return” TV series, the Comic Fan puts out a zine drawn in Daniel Clowes fashion about the history and urban legends behind Silver Lake which was where the movie industry started, chief among them being the Dog Killer of the 1920’s who might be inspiring the killer of the modern day and the Owl’s Kiss woman who has sex with prominent men and murders them, all these sequences are done in animated, 2D.

“Comic Fan” also believes all the answers can be found on a map he finds in the back of cereal box, he also has plaster masks of Johnny Depp, Grace Kelly etc. all over his walls when Sam goes to ask him questions about the zine he created and Sarah, he says it all leads back to what is on that cereal box and if he isn’t careful the Owl’s Kiss will kill him. At first Sam thinks he is crazy but then realizes that ever since he was a kid he was trying to find patterns in everything. The Comic Fan gives him a guide on how to spot hobo symbols, one of the symbols, two diamonds joined together, look like the same symbols from the “Twin Peaks” original TV series, in the movie they mean to “remain silent”.

In “Under the Silver Lake” there is a lot of symbols, a lot of patterns and a lot of interpretations of what those symbols mean. It also examines pop culture and paranoia burn out in our technological age. It also skewers modern Hollywood and the media, almost every actress in this movie is a part time prostitute, and I don’t think there is any misogyny in that presentation, its actually a comment on how power hungry producers see females in the industry. Its a critique but the movie goes a lot deeper. There is a multitude of theories about this movie, that Sam as actually a schizoid, kleptomaniac who is imagining most, if not, all the movie in his head, there is scenes in the movie that are picture perfect renditions of the cover of an old 1960’s Playboy he jerks off at, a Marilyn Monoe film and other homages to retro pop culture or that he is actually dead and in limbo in a type of purgatory etc. There is numerous videos on the different theories and symbols in this movie. In fact the film’s cryptography advisor was a computer scientist named Kevin Knight who helped create a computer program to break the Copiale Cipher, so the symbols and numbers in this movie aren’t meaningless.

“Under the Silver Lake” premiered at the 2018 Cannes Festival. A24 were pretty shitty with this movie, they kept pushing it back and back on the release date and barely promoted it. That wasn’t fair to this movie, of course it has developed a cult following but it should be more widely known as a good addition to the “Neo Noir” cannon of movies. High recommendation from me, not a lot of modern movies stroke my sensibilities, especially lame stream movies. So go ahead jump into “Under the Silver Lake”.

So it is streaming on some platforms, if you have prime on Amazon or other subscriptions you should be able to watch it no problem. I say pay these people.

But if you don’t want to support art, you cheap fucking bastards, find a pirate ship if you know what I mean.

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Visual White Noise Theater: Its a bird! Its a plane! No its “Keiko Mask” (1991)!!!

My previous post was on the Japanese film “Mind Games” now I am going back into the “Land of the Rising Sun” with something dumber, more sexual and inept. That would be “Keiko Mask” or in Japanese, “Kekko Kamen”. “Keiko” the movie started out as a soft core Manga about a mysterious chick who fights completely nude except for a cape and mask. She does this in some school, called the “Spartan School” where if the students are naughty or misbehave they get punished by being tortured, S and M style, the Head Master, or “Principal” for us yanks is a pervert creep who wears a jester hat and Kiss band make up, when students get tortured Keiko shows up and kicks their asses nude. Then somebody decided to make this into a movie, shoot it on film stock normally used on soap operas and deliver it to the public, almost like Keiko’s ultimate finishing move which I call “Shining Vagina”, they were hoping this would be a “Shining Vagina” to the watching public. The only move this worked on were degenerate perverts like myself.

The cheapness just drips off this one, now granted the version I have isn’t the best but even a buddy of mine that has a better rip says it still looks cheap. This thing trips all over itself genre wise: Super Hero Movie, Comedy Movie, Drama Movie, Action Movie, Soft Porn Movie, S & M Movie and Teen Movie, the genres aren’t balanced that great, this movie is off in more ways than one. The “comedy” is very cheesy and the drama is just boring, but this thing is so damn weird my jaw was dropping on the ground, over all the weird and interesting parts outweighed the boring parts.

And there is different and weird villains, the aforementioned jester Head Master, the leader of the S & M/BDM “Spartan School”, two New Age hippie types who want to trap “Keiko Mask” for the bounty put on her by the Head Master, a 1980’s hair metal chick teacher who tortures boys to lure Keiko Mask, a American art teacher/turned killer robot, a midget mad doctor whose tall assistant bullies him and an army of samurai. It seems Keiko Mask’s finishing move is the “Shining Vagina” I don’t know why she doesn’t just use this move in every battle to end the fights as quickly as possible. But, hey this is a weird Japanese, S & M comedy movie don’t expect logic to ever enter the equation here!

Apparently a lot of weebs are really pissed at this movie. I’ve been on different comment boards and they all bitch and moan about this not being even close to the Manga or the animated version, which I never saw but this slice of sleaze is way up my trash strewn alley and if your a weird movie fan it is worth your time, you will want to assault your eyes with this thing.

So do you want “Keiko Mask” to sexually assault you with her “Shining Vagina”? Go over here https://www.bitchute.com/video/XgEWd3linbLe/  and the picture sucks but good luck finding a copy of this in Region 1 DVD or blu ray or in the bay where pirate’s hang out.

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Visual White Noise Theater: Stop Playing Your “Mind Game” (2004)

I haven’t dropped acid or done mushrooms in years and I thought I was having a flashback, maybe I was falling asleep watching this movie and getting those flashes of dreams you get when you wake up quick and fall asleep repeatedly until you just give up and lie down. “Mind Game” from Japan (where else) will play mind games with you, it will toy with you, your emotions and mental state, it will always win.

 

This isn’t your traditional Japanese animated movie, which is what I liked about this one. Seriously, I kind of get burned out on the “big eyed anime” style that prevails in almost every Japanese animated movie. This one takes a wink and nod to “Belladonna of Sadness” (which I will review in the future) where various forms of animation are mixed together in an eye stabbing, mysterious brilliance.

Nishi, aspiring Manga artist encounters an old flame on the subway, Myon who is running from a yakuza member/football player Atsu. Nishi finds out she is getting married and is still in love with Myon but is too much of chicken to actually say it, he says it in his imagination but not out loud. Over all, you get the feeling Nishi lives most of his triumphs in his own head, he is dreamer but it doesn’t help him in the real world. However, they go to Myon’s father’s Sushi restaurant, her sister Yan is at the bar making sushi and serving beer while their dad drunkenly talks about his sexual conquests, Nishi gets pissed off and goes off on him talking about this in front of his own daughters, in this scene you can’t tell if this is in Nishi’s head or if he is actually telling the father off, Myon’s soon to be husband Ryo shows up and its awkward. Two yakuzas walk in, one is Atsu who I just mentioned was chasing Myon. The yakuza are looking for Myon’s father who is hiding because he screwed Atsu’s girlfriend. They start threatening everybody, Ryo tries to punch out Atsu and Atsu fells him, he goes to rape Myon and Myon shouts for Nishi who is curled up in a ball in fear. Atsu disgusted by his behavior shoots him through his asshole. Nishi dies and ascends into some strange afterlife where God mocks him for being a loser, Nishi pissed off and wants another chance so instead of running to the gate way of the afterlife he runs towards the life tunnel and God chases him, he gets back in his body and kicks ass.

Or are we sure he actually gets back in his body kicks ass? What happens next is insane, Nishi, mad at wasting his life with Myon and Yan in tow, leads the Yakuza on an insane car chase where they are swallowed by a whale. Inside the whale they come across a ship and an old hermit who is an ex Yakuza, he turned his ship into a toy, food, comfort laden pleasure palace. From there it gets even more crazier, on the surface you may see non sense but beneath it, if you really drink it in it has got a lot of layers religious, philosophical and spiritual. The movie uses different types of animation to express different emotions and thoughts. Weebs who want “traditional” anime aren’t gonna happy and there isn’t probably enough stupid action for their “Bleach/Sailor Moon” ridden brains. This movie will have you questioning everything. Is this all in Nishi’s head? Is he in the after life? Did he really come back to life and start to kick ass? Can you really survive being swallowed by a whale? On that last note there is a lot of religious iconography in this movie, both Western and Eastern. To all of you people who don’t want to think about your movies this one isn’t for you.

The music is pretty strange to and goes with the mood, some are Broadway type musical numbers and some are Bossa Nova numbers. Overall this movie has a dream like logic but when you fit the pieces together like a puzzle most of it will fall right into place. This piece of visual art noise is a must have for people who want something different in their Japanese animation.

So where do you want to play the “Mind Game”? Well this isn’t going up on my bitchute channel, while I upload stuff over there because copy right is pretty much non existent I don’t want to push it too far by putting this up there and also these film makers are still in existence and need your support, so just get your favorite search engine and put in “Mind Game” and “Streaming”, Amazon, Youtube, Apple etc. have it pretty cheap or you can always visit that Pirate in the Bay you super cheap, cheatin’ bastid.