Now I rarely hear folk music mixed with experimental industrial and darkwave. ASKE (Anti Social Kultur England) records is known for putting out weird and out there lo fi music, everything from black metal to twisted techno, some of those genres mixed together. “Lightning Undersun” is one such project, this is one tape whose sound is hard to pin down and that is the way I like it, Discogs gives really thin information on “Lightning Undersun” I did get this off of Analog Worship, there was a limited edition of 30 I got tape 3, I know this is a small label but I really am not into the whole small amount of “limited edition” batches that only certain people can get, especially if your stuff isn’t up on a streaming service or bandcamp. I know ASKE pulled down their whole discography on bandcamp and are doing physical release only, that means only 30 people are going to hear “Lightning Undersun” which doesn’t make any sense to me at all, there is a bit of snobbery and elitism when a release is only limited to X amount of copies. I know most of these types of labels hate the mainstream and trends but who is gonna listen to your label or band if you keep it off of everything? Your label and band can remain special by just sticking to your principles and sound, strictly limiting yourself as a label makes no sense.
The “Lightning Undersun” tape, besides the bag having xeroxed art work folded over the tape, has a slip of paper with the track listings on them.
So for a track by track break down, so track one is called “The Son”, kind of a play on words, this track is a weird mix of darkwave and folk with low echoing vocals that switch to clean higher pitched vocals, with wailing flute,a programmed drum machine beat in back, and a acoustic guitar strumming along, so far this track sounds a lot like “Death in June”. Track two is called “Blood God”, this track is a fast paced affair with hardcore screeching vocals that go into clean singing, then into what can only be described as industrial noise racket and then a strummed acoustic guitar and field recordings of rain and thunder, a sample from some old movie is played and then harmonious singing. Track three is called “War in the Sky” it starts with a steady drum machine beat, static noise like you’d hear in the “Harsh Wall of Noise” genre and a ghostly synth with light background talking and near the end of the track various strumming acoustic guitars colliding with keyboards. The last track “The Wheel Turns” starts with bongos and a electric sitar playing fast, dogs barking, people grunting and the deep, echoing darkwave vocals return to round out the track. These tracks repeat on side B.
So to get struck right away, go here, because there is no other way to be struck because this tape is for sale nowhere: https://www.bitchute.com/video/eDUbnGNzfvp4/
